Throughout my time in elementary
school, my classes would take field trips that were designed to be,
of course, both fun and educational. We would go to the Nevada Museum
of Art or the Wilbur D. May Center or, as we got older, places more
connected with our local history, like Fort Churchill or Virginia
City. Every so often, we got to see performances by the Reno
Philharmonic, which was really swell. The large, underground theater
was a dark expanse of anticipation, swinging legs that dangled from
oversized seats with armrests, awaiting the moment when we would hear
the fusion of more instruments than we had ever heard at one time.
But the parents of one of my classmates
knew this experience would be too much for their child. He has
autism, and the loud noises, unfamiliar environment, and the need to
sit still for an extended period of time made the theater essentially
untouchable.
Here in Portland, however, this
inaccessibility to music and theater for kids on the spectrum—and
their parents—is waning, thanks to people like local jazz musician
and composer, Ezra Weiss, and organizations like the Northwest
Children's Theater.
Along with being a musician and
composer (and professor at Portland State University),
Ezra Weiss is
also a father of two sons. It's important to him that his children
have weekend experiences that stem beyond the television, which is
why he scheduled the monthly show he presents at Cedar Hills United
Church of Christ on Saturdays at 3 p.m—just after nap time. It is
this sort of parent-children-friendly logic, galvanized not only by
his experience as a parent, but also through his work as an educator
and work with the Northwest Children's Theater, that prompted him to
make these afternoon concerts welcoming for those on the autism
spectrum or with any sort of restlessness or sensitivities. These
concerts are “sensory-friendly.”
Weiss notes that the theater is
probably the largest room a little kid has been in, and in that room,
they're surrounded by more people than ever before. Sometimes the
transition from everyday life to this...large world can be daunting.
So organizers do what they can to smooth things out, like keeping
lighting and volume levels even, making sure there is plenty of room
for movement, and keeping performances about an hour long.
If you've ever heard Weiss and his
bands perform and you're thinking, “I'm not sure that jazz, with
all it's energy and...jazziness...is the best way to keep kiddos calm
and relaxed,” you're right, and don't worry.
Weiss knows his own
group is “too fiery” for what he's trying to accomplish, but he
is starting with jazz, since he knows musicians to fit the bill, and
then he hopes to expand out to other styles.
“I'm looking for musicians who come
from a very heartfelt place,” Weiss says, “not so much a cerebral
approach. Not a lot of bashing, nothing abrasive, but some nice,
swingin' music.”
And what parents seem to appreciate
most is knowing that they and their children are welcome.
“If you go to a symphony concert,
your kid had better be quiet,” says Weiss. But it's not like that
here. These concerts are meant to be welcoming and flexible, and they
are designed knowing that children aren't always going to sit still
with their mouths closed. That's just not how it works.
Pretty neat, right?