Da Vinci's Vitruvian Man, the
Canon of Proportions, shows the ideal symmetrical balance of the
human body. Art students know this. However, of course, a strict
rehashing of canonically proportioned human bodies would leave the
art world a boring, nonrepresentational place.
Riva Lehrer, artist and anatomy
professor, brings together—wait for it—art and anatomy to explore
diversity in human forms, the “variant body”.
In medical museums, subjects of
abnormal anatomical study are found in jars, preserved in
formaldehyde, and labeled with only a diagnosis. They are useful, and
Riva Lehrer, anatomy professor, knows this. But Riva Lehrer, artist,
also wants to connect the actual humans with their disabilities and
diagnoses. She wants to bring out the narratives that are stripped
away from bodies on display.
“I'm not interested in shutting down
these museum displays,” she says. “I'm interested in pulling
people into as deep an understanding of body variance as possible.”
Part of Lehrer's interest stems from
her own experience. During a visit to the Mütter Museum, walking
through rows of anatomical specimens, she found herself facing a
shelf full of spina bifida examples—a shelf full of her own body.
“I realized I was looking at the
slipstream of my own alternate history,” says Lehrer, also noting
that had she been born earlier or elsewhere, she, too, could have
ended up as a teaching tool.
It's easy to look at a body part in a
jar as a specimen of study, but Lehrer stresses the importance of
keeping biography with the body, which is something she thinks having
art in medical museums would do.
“It matters to doctors deciding what
to do. It matters when a genetics counselor talks to prospective
parents. It matters when a politician makes a law. Above all, it
matters to that disabled person, standing in from of a glass case
full of jars.”
Check out Lehrer's website for more pictures and information about her various projects. They're rad!
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